Children’s films are the only thing worth seeing these days

At the Spectator I accept the possibility that my cultural tastes may have frozen in time along with my politics and haircut – apparently this happens around 24 – but 2017 was indeed a terrible year for film, so clearly someone agrees with me. And as the film industry has become less successful at selling cinema tickets, so it has become ever more overtly political, desperately trying to keep up with the Great Awokening, the spiralling competition to appear… Read on